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Op deze pagina kunt u een gedetailleerde analyse krijgen van een woord of zin, geproduceerd met behulp van de beste kunstmatige intelligentietechnologie tot nu toe:
- hoe het woord wordt gebruikt
- gebruiksfrequentie
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- etymologie
Wat (wie) is qui a l"air de sortir d"une boîte - definitie
1934 SURREALIST BOOK BY MAX ERNST
Une Semaine de Bonte; Une Semaine de Bonté; Une semaine de bonte; A Week of Kindness
Pierrier à boîte
![Constantine]] in 1837.](https://commons.wikimedia.org/wiki/Special:FilePath/Perrier_a_boite_cal_72mm_length_140cm_weight_110kg_seized_in_Constantine_in_1837.jpg?width=200 "Constantine]] in 1837.")
EARLY TYPE OF SMALL CANNON
Perrier à boîte; Perrier a boite; Pierrier a boite
A Pierrier à boîte was an early type of small wrought iron cannon developed in the early 15th century, and a type of breech-loading swivel gun. It was part of the artillery of France in the Middle Ages, and the artillery of the Middle Ages in general.
Une semaine de bonté
Une semaine de bonté ("A Week of Kindness") is a collage novel and artist's book by Max Ernst, first published in 1934. It comprises 182 images created by cutting up and re-organizing illustrations from Victorian encyclopedias and novels.
De ou par Marcel Duchamp ou Rrose Sélavy (La Boîte-en-valise)
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![Art of This Century]] gallery, listing the ''Valise'' for sale for $125 to $200](https://commons.wikimedia.org/wiki/Special:FilePath/Art of This Century advertisement.jpg?width=200 "Art of This Century]] gallery, listing the ''Valise'' for sale for $125 to $200")
ARTWORK BY MARCEL DUCHAMP
Boîte-en-valise; Box in a valise; Boite en valise; La Boîte-en-valise
La Boîte-en-valise (box in a suitcase) is a type of mixed media assemblage by Marcel Duchamp consisting of a group of reproductions of the artist's works inside a box that was, in some cases, accompanied by a leather valise or suitcase. Duchamp made multiple versions of this type between 1935 and 1966.
Wikipedia
Une semaine de bonté
Une semaine de bonté ("A Week of Kindness") is a collage novel and artist's book by Max Ernst, first published in 1934. It comprises 182 images created by cutting up and re-organizing illustrations from Victorian encyclopedias and novels.
